{"id":10795,"date":"2023-10-05T17:41:51","date_gmt":"2023-10-05T15:41:51","guid":{"rendered":"https:\/\/photo-venturelli.com\/klimt-hundertwasser-et-schiele-aux-baux-de-provence\/"},"modified":"2025-12-15T15:59:32","modified_gmt":"2025-12-15T14:59:32","slug":"klimt-hundertwasser-et-schiele-aux-baux-de-provence","status":"publish","type":"post","link":"https:\/\/photo-venturelli.com\/en\/klimt-hundertwasser-et-schiele-aux-baux-de-provence\/","title":{"rendered":"Klimt, Hundertwasser et Schiele aux Baux de Provence."},"content":{"rendered":"\n

” Klimt and Vienna, a century of gold and color<\/strong><\/strong><\/h2>\n\n

The show \u201cKlimt and Vienna, a century of gold and color\u201d takes a look back at the history of Austrian painting, and more specifically at Imperial Vienna at the end of the 19th century, a period that marked the beginning of contemporary painting. Klimt, one of the great decorative painters, inspired many artists, including Egon Schiele and Fritz Hundertwasser, who naturally accompany Klimt in this luminous, spellbinding show. The photographs in this show are not intended to be a faithful reproduction of the artistic projections, but an attempt to transpose the sensation of immersion in the artists’ works. In my approach, the viewer is not looking at a painting, but is an integral part of the artists’ work, immersed in both images and sound. <\/p>\n

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Original show by Gianfranco Iannuzzi, Renatto Gatto, Massimiliano Siccardi. Musical collaboration by Luca Longobardi. <\/p>\n\n

Show at the Carri\u00e8res des Lumi\u00e8res site (Les Baux de Provence). Creation CULTURESPACE. <\/p>\n\n

GUSTAV KLIMT (Baumgarten, 1862 – Vienne,1918)<\/p>\n\n

EGON SCHIELE (Tulln an der donau, 1890 – Vienne, 1917)<\/p>\n\n

FRIEDRICH HUNDERTWASSER (Vienne, 1928 – Queen elisabeth2, 2000)<\/p>\n\n

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Baux de Provence<\/strong><\/h2>\n\n

The village of Les Baux de Provence, located in the Alpilles mountain range, is now classified as one of France’s most beautiful villages. The name Baux-de-Provence comes from the Occitan baus (‘baws) according to the classical standard, in Proven\u00e7al baus according to the Mistralian standard, meaning \u201coverhanging\u201d, \u201ccliff\u201d or \u201crocky escarpment\u201d. In 1958, Les Baux became Les Baux-de-Provence. In Occitan Proven\u00e7al, the commune is called Lei Bau\u00e7 de Prov\u00e8n\u00e7a, or Li Baus de Prouv\u00e8n\u00e7o according to Mistral. Bauxite, an aluminum ore, takes its name from this commune, where it was first mined, but Baux-de-Provence is best known for its limestone quarries. Tradition has it that Dante, captivated by such a setting, drew inspiration from it to describe his Inferno in the Divine Comedy. It was here that Fr\u00e9d\u00e9ric Mistral set one of the chapters of Mireio, and Jean Cocteau found the setting for his film Le Testament d’Orph\u00e9e. The interior of the quarry site lends itself well to the sound and light shows imagined by Gianfranco Lannuzzi. These are immersive shows in which the spectator is at the center of the spectacle, bathed on all sides by the projections on the walls and the accompanying music. The closest we could come to describing these art shows would be a pictorial and musical enchantment. Projected onto almost all the quarry’s walls and floor, the enchantment begins from the very first second. <\/p>\n\n

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Baux de Provence (France) – 2014<\/em><\/p>\n\n

Galery<\/h2>\n\n